I was surprised by a lot of the darker imagery in a lot of his work, especially in "The Marriage of Heaven and Hell." I knew that his religious views were controversial, but in his day it would not have been too surprising if he ended up in some sort of legal trouble over what almost appear to be Satanistic statements.
A really like Blake's style, however, the way his images seem to blend together without clear boundary, like his concept of Heaven and Hell and what I could understand of the rest of his philosophy. The fact that he manages to kind of confuse the reader's mind using only the black and white of ink and paper is a truly astounding testament to his skill as a poet, and as an artists (with the use of color).
Wordsworth's Sonnets
The World is Too...
Thus, Blake presents an explicit condemnation not only of organized religion, but specifically those religions which seek official legitimization and control over non-adherents; considering that the Church of England was (and is) the official religion of England, whose leader simultaneously serves as the head of state, Blake's condemnation of religions and religious adherents who presume to "[govern] the unwilling" must be recognized for the rebellious and almost revolutionary statement
William Blake is usually classified with the Romantic movement in English literature -- which coalesced in the revolutionary climate of the late eighteenth century, and roughly spanned the period from 1780 to 1830. The Romantic movement spanned a time of enormous social change in Britain. Not only was this a period of time that witnessed revolutions in America (1776) and France (1789), Britain itself would have to subdue a rebellion
William Blake was born in London in 1757, the son of a hosier. He attended a drawing school and was subsequently apprenticed to an engraver from 1772-9, before attending the Royal Academy as a student from 1779 to 1780. During this time he made his living as an engraver, producing illustrations for the book trade, and was also composing and illustrating his own poetical works. He married Catherine Boucher in
William Blake's "The Lamb" In the poem "The Lamb," William Blake distinguishes his unique style through the incorporation of religious symbolism, creative lines, and simplistic patterns. "The Lamb" was published as part of a series of poems in 1789 titled the Songs of Innocence; actually, he wrote "The Lamb" and the other works as part of a series of lyrics. The entire work represents an enlightened state in Blake's life, and
Racine's Phaedra -- Compared to Blake's "Lamb" and Melville's Billy Budd As Bernard Grebanier states, Racine's Phaedra speaks "with the violence of life itself" (xiv). If one were to compare the French playwright's most famous female lead to the English-speaking world's most famous male lead (as Grebanier does), it would have to be to Hamlet, whose passionate assessment of life is likewise problematic. Indeed, Phaedra raises many themes, including the importance
Opposite Attraction: What the World Needs Now William Blake's "The Marriage of Heaven and Hell" Irony serves as the proper technique for William Blake in his notorious story, "The Marriage of Heaven and Hell." offers a unique solution to the complex problem of reconciling good and evil. This story is unique in that Blake attempts to reconcile good and evil in a way that is comical while still proving its point.
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now